Perhaps more than any other person in history, Leonardo da Vinci showed the kind of magic that can happen in the overlap between art and science, where much of web development lives. His methods and outlooks are just as applicable to the web today as they were in Renaissance Italy.
Now, with the advent of GPT-4, the just-released multi-modal product from Open AI, the promise is even better results using both text and images, and eventually, audio and video.
Thoughts on possible interaction scenarios of the future
Inspired by the function and flair of cinema’s eclectic typographic history, British type foundry Frost’s grotesk sans serif Calhern takes typographic range to new heights; offering all the variety one might need in a single collection.
We’ve created GPT-4, the latest milestone in OpenAI’s effort in scaling up deep learning. GPT-4 is a large multimodal model (accepting image and text inputs, emitting text outputs) that, while less capable than humans in many real-world scenarios, exhibits human-level performance on various professional and academic benchmarks.
This page collects all the familiar navigation patterns for structuring iOS apps, like drill-downs, modals, pyramids, sequences, and more! Think of it as an unofficial bonus chapter for Apple’s Human Interface Guidelines, written by someone who cares deeply about well-crafted user interfaces.
While modals can be useful for certain tasks, they also have some disadvantages. One of the main drawbacks is that they can interrupt the user’s workflow and cause them to lose their place in the application.
This shift towards financialization is evident in many industries, from tech startups to established corporations, and has significant implications for designers who work in these businesses.
Shantell Sans mixes variable axes for Weight, Italic, Informality, and Bounce to deliver a wide array of font styles, from friendly, readable, everyday typographic workhorses to striking, high-energy, experimental styles meant especially for animation.
McDonald’s has a history of distorted ad campaigns – the latest from No Fixed Address shows the brand is not done with the technique just yet.
