Thoughts on possible interaction scenarios of the future

Inspired by the function and flair of cinema’s eclectic typographic history, British type foundry Frost’s grotesk sans serif Calhern takes typographic range to new heights; offering all the variety one might need in a single collection.

This shift towards financialization is evident in many industries, from tech startups to established corporations, and has significant implications for designers who work in these businesses.

Shantell Sans mixes variable axes for Weight, Italic, Informality, and Bounce to deliver a wide array of font styles, from friendly, readable, everyday typographic workhorses to striking, high-energy, experimental styles meant especially for animation.

McDonald’s has a history of distorted ad campaigns – the latest from No Fixed Address shows the brand is not done with the technique just yet.

You know what’s important with type? That you can read it! And not only you, as many people as possible. This is the idea behind accessibility and having a minimum color contrast. But this also goes for UI components… which was news for me.

Then, I realise that the conversation has been quite one-sided so I try to change that and say “okay, do you have any questions for me?” You reply with a short “no, I’m good.”

Customer data has become something of a currency, with many users consenting to this unknowingly or without concern, whilst others are a little more sceptical. But generally, people are much more likely to share their data if there is a clear exchange of value.

To keep the list manageable, we’ve limited it to just ten typefaces. There were many more great releases on ILT throughout 2022, that aren’t on this list, but rest assured, we’ll remind you about those in the coming weeks and months.

How language brings logic to a subjective topic